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AutoDesSys

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Everything posted by AutoDesSys

  1. AutoDesSys

    Sarah Rudge

    Bonjour, je suis finissante en design d'intérieur au cégep Marie-Victorin. J'ai développé au fil de ma formation une familiarité avec le logiciel Form-Z. J'adore l'utiliser pour tous mes projets d'aménagement. Le logiciel est intuitif et facile d'utilisation. Il permet de communiquer mes idées créatives et de leur donner un caractère réaliste. J'aimerais gagné cette compétition puisque j'adore modéliser en 3D et j'aimerais amorcer une carrière comme designer 3D. Chaque image comporte sa description. Le projet représente une boutique pour homme branché.
  2. AutoDesSys

    VITRINE DEHORS

    From the album: Sarah Rudge

  3. AutoDesSys

    porte devant

    From the album: Sarah Rudge

  4. AutoDesSys

    Rudges

    From the album: Sarah Rudge

  5. AutoDesSys

    MUR GAUCHE

    From the album: Sarah Rudge

  6. AutoDesSys

    LOUNGE BARBIER

    From the album: Sarah Rudge

  7. AutoDesSys

    HUBLOTS ET CAFê

    From the album: Sarah Rudge

  8. AutoDesSys

    CONSULTATION

    From the album: Sarah Rudge

  9. AutoDesSys

    CABINE

    From the album: Sarah Rudge

  10. AutoDesSys

    BARBIER

    From the album: Sarah Rudge

  11. AutoDesSys

    CABINE TAILLEUR

    From the album: Sarah Rudge

  12. AutoDesSys

    Aubrey van Niekerk

    My name is Aubrey van Niekerk, and I am a graduate student at Texas Tech University obtaining my Masters degree in Architecture. I was in Bennett Neiman's Topical Studio and was introduced to formZ to create our final projects for the semester. The program was great to use, and yielded graphically striking results. Project Description: The inner workings of a refrigerator generates the origin of a series of iterative design decisions. A sequence of implicit spaces are defined and realized, traced and diagrammed. Implications of thick and thin, inside and outside, within and without are determined in figurative drawings that then inform physical reliefs, further developing the nature of the sequence. Layers are formed, pushed and pulled creating spaces in between and are framed and supported. Finally, these elements already defined are multiplied, stretched and distorted to become mechanics that create a new whole. A tower comprised of the history of the iterative process with a new identity and direction. Transparent volumes are introduced to encapsulate intricacies, some of which are further defined by bold color. With each step building off of the previous, we arrive at a new sequence of spaces, enriched by its own creative process.
  13. AutoDesSys

    Orthographics

    From the album: Aubrey van Niekerk

    Orthographic views of the plan and elevations of the structure and its integrated base
  14. AutoDesSys

    Isometrics

    From the album: Aubrey van Niekerk

    Isometric views of all sides of the structure and its integrated base
  15. AutoDesSys

    Digital Painting 10

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on a view from below of the interior condition
  16. AutoDesSys

    Digital Painting 9

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on a view looking up from theoretical contextual buildings
  17. AutoDesSys

    Digital Painting 8

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on a view from above
  18. AutoDesSys

    Digital Painting 7

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on an interior condition
  19. AutoDesSys

    Digital Painting 6

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on a view form below of the junction of the two towers
  20. AutoDesSys

    Digital Painting 5

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on an interior condition
  21. AutoDesSys

    Digital Painting 4

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on an image from above
  22. AutoDesSys

    Digital Painting 3

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on an overall view from theoretical contextual buildings
  23. AutoDesSys

    Digital Painting 2

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on a view from below
  24. AutoDesSys

    Digital Painting 1

    From the album: Aubrey van Niekerk

    Perspective image of the structure focused on an overall view from a theoretical street level
  25. AutoDesSys

    Nicholas Reachi

    The driving idea behind this composition is layered complexity and tectonic relationships. The layering of spatial arrangements of linear elements allows secondary and tertiary readings. Overlaid linear elements establish explicit and implicit spatial boundaries. The composition is viewed from multiple directions. By applying a reflective material for the tower, the visual relationships of overlapping and interacting members are increased to allow an abstracted reading of the information available within the tower. Cleaving reflections are contrasted with matte and colored elements to highlight members that are continuous from one end of the tower to the other. This creates a physical continuity that grounds the composition, allowing for a more recognizable reading across different viewing angles. What is hidden within the tower reflects several times across multiple surfaces. The effect creates a visually complex composition of multiple layers of information. Intro_Text : My name is Nicholas Reachi, age 25 and a graduate student of architecture at Texas Tech University. I enjoy the technical aspect of architecture just as much as the artistic, and like to explore the the physical and psychological nature of uncomfortable spaces in my work while maintaining a project's functionality and habitability. This project was created for a graduate studio focused on constructed improvisational design using FormZ as a primary modeling and exploration tool, working on an architectural composition freed from the constraints of program and site.
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